
IELTS consists of four components. All candidates take the same Listening and Speaking tests. There is a choice of Reading and Writing tests according to whether a candidate is taking the Academic or General Training module.
Questions 1–7
Complete the notes below.
Write ONE WORD ONLY for each answer.
Library
Lunch club
Help for individuals needed next week
Questions 8–10
Complete the table below.
Write ONE WORD ONLY for each answer.
Village social events | |||
Date | Event | Location | Help needed |
19 Oct | 8_____ | Village hall | providing refreshments |
18 Nov | dance | Village hall | checking 9_____ |
31 Dec | New Year’s Eve party | Mountfort Hotel | designing the 10_____ |
jane: | Hello, Jane Fairbanks speaking. |
frank: | Oh, good morning. My name’s Frank Pritchard. I’ve just retired and moved to Southoe. I’d like to become a volunteer, and I gather you co-ordinate voluntary work in the village. |
jane: | That’s right. |
frank: | What sort of thing could I do? |
jane: | Well, we need help with the village library. We borrow books from the town library, and individuals also donate them. So, one thing you could do is get involved in collecting them – if you’ve got a car, that is. |
frank: | Yes, that’s no problem. |
jane: | The times are pretty flexible so we can arrange it to suit you. Another thing is the records that we keep of the books we’re given, and those we borrow and need to return to the town library. It would be very useful to have another person to help keep them up to date. |
frank: | Right. I’m used to working on a computer – I presume they’re computerised? |
jane: | Oh yes. |
frank: | Is the library purpose-built? I haven’t noticed it when I’ve walked round the village. |
jane: | No, we simply have the use of a room in the village hall, the West Room. It’s on the left as you go in. |
frank: | I must go and have a look inside the hall. |
jane: | Yes, it’s a nice building. |
frank: | Do you run a lunch club in the village for elderly people? I know a lot of places do. |
jane: | Yes, we have a very successful club. |
frank: | I could help with transport, if that’s of any use. |
jane: | Ooo definitely. People come to the club from neighbouring villages, and we’re always in need of more drivers. |
frank: | And does the club have groups that focus on a particular hobby, too? I could get involved in one or two, particularly if there are any art groups. |
jane: | Excellent. I’ll find out where we need help and get back to you. |
frank: | Fine. What about help for individual residents. Do you arrange that at all? |
jane: | Yes, we do it as a one-off. In fact, there’s Mrs Carroll. She needs a lift to the hospital next week, and we’re struggling to find someone. |
frank: | When’s her appointment? |
jane: | On Tuesday. It would take the whole morning. |
frank: | I could do that. |
jane: | Oh, that would be great. Thank you. And also, next week, we’re arranging to have some work done to Mr Selsbury’s house before he moves, as he isn’t healthy enough to do it himself. We’ve got some people to decorate his kitchen, but if you could do some weeding in his garden, that would be wonderful. |
frank: | OK. I’d enjoy that. And presumably the day and time are flexible. |
jane: | Oh yes. Just say when would suit you best, and we’ll let Mr Selsbury know. |
frank: | Good. |
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jane: | The volunteers group also organises monthly social events, which is a great way to meet other people, of course. |
frank: | Uhuh. |
jane: | So next month, on the 19th of October, we’re holding a quiz – a couple of residents are great at planning unusual ones, and we always fill the village hall. |
frank: | That sounds like fun. Can I do anything to help? |
jane: | Well, because of the number of people, we need plenty of refreshments for halfway through. So, if you could provide any, we’d be grateful. |
frank: | I’m sure I could. I’ll think about what to make, and let you know. |
jane: | Thank you. Then on November the 18th, we’re holding a dance, also in the village hall. We’ve booked a band that specialises in music of the 1930s – they’ve been before, and we’ve had a lot of requests to bring them back. |
frank: | I’m not really a dancer, but I’d like to do something to help. |
jane: | Well, we sell tickets in advance, and having an extra person to check them at the door, as people arrive, would be good – it can be quite a bottleneck if everyone arrives at once! |
frank: | OK, I’m happy with that. |
jane: | We’re also arranging a New Year’s Eve party. We’re expecting that to be a really big event, so instead of the village hall, it’ll be held in the Mountfort Hotel. |
frank: | The …? |
jane: | Mountfort. M-O-U-N-T-F-O-R-T Hotel. It isn’t in Southoe itself, but it’s only a couple of miles away. The hotel will be providing dinner and we’ve booked a band. The one thing we haven’t got yet is a poster. That isn’t something you could do, by any chance, is it? |
frank: | Well actually, yes. Before I retired I was a graphic designer, so that’s right up my street. |
jane: | Oh perfect! I’ll give you the details, and then perhaps you could send me a draft … |
frank: | Of course. |
Questions 11–14
Choose the correct letter, A, B or C.
Questions 15 and 20
Which activity is offered at each of the following locations on the farm?
Choose SIX answers from the box and write the correct letter, A–H, next to Questions 15–20.
Locations on the farm
Good morning, and welcome to Oniton Hall, one of the largest estates in the area. My name’s Nick, and I’m one of the guides. I’ll give you a brief introduction to the estate while you’re sitting down, and then we’ll walk round.
The estate consists of the house, gardens, parkland and farm, and it dates back to the fourteenth century. The original house was replaced in the late seventeenth century, and of course it has had a large number of owners. Almost all of them have left their mark, generally by adding new rooms, like the ballroom and conservatory, or by demolishing others. The farm looks much as it’s always done, although the current owner has done a great deal of work to the flower beds.
In the seventeenth century, the estate was owned by a very wealthy man called Sir Edward Downes. His intention was to escape from the world of politics, after years as an active politician, and to build a new house worthy of his big collection of books, paintings and sculptures. He broke off contact with his former political allies, and hosted meetings of creative and literary people, like painters and poets. Unusually for his time, he didn’t care whether his guests were rich or poor, as long as they had talent.
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Big houses like Oniton had dozens of servants until the 1920s or 30s, and we’ve tried to show what their working lives were like. Photographs of course don’t give much of an idea, so instead, as you go round the house, you’ll see volunteers dressed up as nineteenth-century servants, going about their work. They’ll explain what they’re doing, and tell you their recipes, or what tools they’re using. We’ve just introduced this feature to replace the audio guide we used to have available.
I see there are a number of children here with you today. Well, we have several activities specially for children, like dressing up in the sorts of clothes that children wore in the past, and as it’s a fine day, some of you will probably want to play in the adventure playground. Our latest addition is child-sized tractors, that you can drive around the grounds.
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We’ll also be going into the farm that’s part of the estate, where there’s plenty to do. Most of the buildings date from the eighteenth century, so you can really step back into an agricultural past.
Until recently, the dairy was where milk from the cows was turned into cheese. It’s now the place to go for lunch, or afternoon tea, or just a cup of coffee and a slice of homemade cake.
The big stone building that dominates the farm is the large barn, and in here is our collection of agricultural tools. These were used in the past to plough the earth, sow seeds, make gates, and much more.
There’s a small barn, also made of stone, where you can groom the donkeys and horses, to keep their coats clean. They really seem to enjoy having it done, and children love grooming them.
The horses no longer live in the stables, which instead is the place to go to buy gifts, books, our own jams and pickles, and clothes and blankets made of wool from our sheep.
Outside the shed, which is the only brick building, you can climb into a horse-drawn carriage for a lovely, relaxing tour of the park and farm. The carriages are well over a hundred years old.
And finally, the parkland, which was laid out in the eighteenth century, with a lake and trees that are now well established. You’ll see types of cattle and sheep that are hardly ever found on farms these days. We’re helping to preserve them, to stop their numbers falling further.
OK, well if you’d like to come with me …
Questions 21–22
Choose TWO letters, A–E.
Which TWO things do the students agree they need to include in their reviews of Romeo and Juliet?
Questions 23 and 27
Which opinion do the speakers give about each of the following aspects of The Emporium’s production of Romeo and Juliet?
Choose FIVE answers from the box and write the correct letter, A–G, next to Questions 23–27.
Aspects of the production
Questions 28–30
Choose the correct letter, A, B or C.
ed: | Did you make notes while you were watching the performances of Romeo and Juliet, Gemma? |
gemma: | Yes, I did. I found it quite hard though. I kept getting too involved in the play. |
ed: | Me too. I ended up not taking notes. I wrote down my impressions when I got home. Do you mind if I check a few things with you? In case I’ve missed anything. And I’ve also got some questions about our assignment. |
gemma: | No, it’s good to talk things through. I may have missed things too. |
ed: | OK great. So first of all, I’m not sure how much information we should include in our reviews. |
gemma: | Right. Well, I don’t think we need to describe what happens. Especially as Romeo and Juliet is one of Shakespeare’s most well-known plays. |
ed: | Yeah, everyone knows the story. In an essay we’d focus on the poetry and Shakespeare’s use of imagery etc., but that isn’t really relevant in a review. We’re supposed to focus on how effective this particular production is. |
gemma: | Mmm. We should say what made it a success or a failure. |
ed: | And part of that means talking about the emotional impact the performance had on us. I think that’s important. |
gemma: | Yes. And we should definitely mention how well the director handled important bits of the play – like when Romeo climbs onto Juliet’s balcony. |
ed: | And the fight between Mercutio and Tybalt. |
gemma: | Yes. It would also be interesting to mention the theatre space and how the director used it but I don’t think we’ll have space in 800 words. |
ed: | No. OK. That all sounds quite straightforward. |
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ed: | So what about The Emporium Theatre’s production of the play? |
gemma: | I thought some things worked really well but there were some problems too. |
ed: | Yeah. What about the set, for example? |
gemma: | I think it was visually really stunning. I’d say that was probably the most memorable thing about this production. |
ed: | You’re right. The set design was really amazing, but actually I have seen similar ideas used in other productions. |
gemma: | What about the lighting? Some of the scenes were so dimly lit it was quite hard to see. |
ed: | I didn’t dislike it. It helped to change the mood of the quieter scenes. |
gemma: | That’s a good point. |
ed: | What did you think of the costumes? |
gemma: | I was a bit surprised by the contemporary dress, I must say. |
ed: | Yeah – I think it worked well, but I had assumed it would be more conventional. |
gemma: | Me too. I liked the music at the beginning and I thought the musicians were brilliant, but I thought they were wasted because the music didn’t have much impact in Acts 2 and 3. |
ed: | Yes – that was a shame. |
gemma: | One problem with this production was that the actors didn’t deliver the lines that well. They were speaking too fast. |
ed: | It was a problem I agree, but I thought it was because they weren’t speaking loudly enough – especially at key points in the play. |
gemma: | I actually didn’t have a problem with that. |
ed: | It’s been an interesting experience watching different versions of Romeo and Juliet, hasn’t it? |
gemma: | Definitely. It’s made me realise how relevant the play still is. |
ed: | Right. I mean a lot’s changed since Shakespeare’s time, but in many ways nothing’s changed. There are always disagreements and tension between teenagers and their parents. |
gemma: | Yes, that’s something all young people can relate to – more than the violence and the extreme emotions in the play. |
ed: | How did you find watching it in translation? |
gemma: | Really interesting. I expected to find it more challenging, but I could follow the story pretty well. |
ed: | I stopped worrying about not being able to understand all the words and focused on the actors’ expressions. The ending was pretty powerful. |
gemma: | Yes. That somehow intensified the emotion for me. |
ed: | Did you know Shakespeare’s been translated into more languages than any other writer? |
gemma: | What’s the reason for his international appeal, do you think? |
ed: | I was reading that it’s because his plays are about basic themes that people everywhere are familiar with. |
gemma: | Yeah, and they can also be understood on different levels. The characters have such depth. |
ed: | Right – which allows directors to experiment and find new angles. |
gemma: | That’s really important because … |
Complete the notes below.
Write ONE WORD AND/OR A NUMBER for each answer.
The Icelandic language
Young speakers
Technology and internet companies
The Icelandic government
Right, everyone, let’s make a start. Over the past few sessions, we’ve been considering the reasons why some world languages are in decline, and today I’m going to introduce another factor that affects languages, and the speakers of those languages, and that’s technology and, in particular, digital technology. In order to illustrate its effect, I’m going to focus on the Icelandic language, which is spoken by around 321,000 people, most of whom live in Iceland – an island in the North Atlantic Ocean.
The problem for this language is not the number of speakers – even though this number is small. Nor is it about losing words to other languages, such as English. In fact, the vocabulary of Icelandic is continually increasing because when speakers need a new word for something, they tend to create one, rather than borrowing from another language. All this makes Icelandic quite a special language – it’s changed very little in the past millennium, yet it can handle twenty-first-century concepts related to the use of computers and digital technology. Take, for example, the word for web browser … this is vafri in Icelandic, which comes from the verb ‘to wander’. I can’t think of a more appropriate term because that’s exactly what you do mentally when you browse the internet. Then there’s an Icelandic word for podcast – which is too hard to pronounce! And so on.
Icelandic, then, is alive and growing, but – and it’s a big but – young Icelanders spend a great deal of time in the digital world and this world is predominantly English. Think about smartphones. They didn’t even exist until comparatively recently, but today young people use them all the time to read books, watch TV or films, play games, listen to music, and so on. Obviously, this is a good thing in many respects because it promotes their bilingual skills, but the extent of the influence of English in the virtual world is staggering and it’s all happening really fast.
For their parents and grandparents, the change is less concerning because they already have their native-speaker skills in Icelandic. But for young speakers – well, the outcome is a little troubling. For example, teachers have found that playground conversations in Icelandic secondary schools can be conducted entirely in English, while teachers of much younger children have reported situations where their classes find it easier to say what is in a picture using English, rather than Icelandic. The very real and worrying consequence of all this is that the young generation in Iceland is at risk of losing its mother tongue.
Of course, this is happening to other European languages too, but while internet companies might be willing to offer, say, French options in their systems, it’s much harder for them to justify the expense of doing the same for a language that has a population the size of a French town, such as Nice. The other drawback of Icelandic is the grammar, which is significantly more complex than in most languages. At the moment, the tech giants are simply not interested in tackling this.
So, what is the Icelandic government doing about this? Well, large sums of money are being allocated to a language technology fund that it is hoped will lead to the development of Icelandic sourced apps and other social media and digital systems, but clearly this is going to be an uphill struggle.
On the positive side, they know that Icelandic is still the official language of education and government. It has survived for well over a thousand years and the experts predict that its future in this nation state is sound and will continue to be so. However, there’s no doubt that it’s becoming an inevitable second choice in young people’s lives.
This raises important questions. When you consider how much of the past is tied up in a language, will young Icelanders lose their sense of their own identity? Another issue that concerns the government of Iceland is this. If children are learning two languages through different routes, neither of which they are fully fluent in, will they be able to express themselves properly?
You should spend about 20 minutes on Questions 1–13, which are based on Reading Passage 1 below.
The Dead Sea Scrolls In late 1946 or early 1947, three Bedouin teenagers were tending their goats and sheep near the ancient settlement of Qumran, located on the northwest shore of the Dead Sea in what is now known as the West Bank. One of these young shepherds tossed a rock into an opening on the side of a cliff and was surprised to hear a shattering sound. He and his companions later entered the cave and stumbled across a collection of large clay jars, seven of which contained scrolls with writing on them. The teenagers took the seven scrolls to a nearby town where they were sold for a small sum to a local antiquities dealer. Word of the find spread, and Bedouins and archaeologists eventually unearthed tens of thousands of additional scroll fragments from 10 nearby caves; together they make up between 800 and 900 manuscripts. It soon became clear that this was one of the greatest archaeological discoveries ever made.
The origin of the Dead Sea Scrolls, which were written around 2,000 years ago between 150 BCE and 70 CE, is still the subject of scholarly debate even today. According to the prevailing theory, they are the work of a population that inhabited the area until Roman troops destroyed the settlement around 70 CE. The area was known as Judea at that time, and the people are thought to have belonged to a group called the Essenes, a devout Jewish sect.
The majority of the texts on the Dead Sea Scrolls are in Hebrew, with some fragments written in an ancient version of its alphabet thought to have fallen out of use in the fifth century BCE. But there are other languages as well. Some scrolls are in Aramaic, the language spoken by many inhabitants of the region from the sixth century BCE to the siege of Jerusalem in 70 CE. In addition, several texts feature translations of the Hebrew Bible into Greek.
The Dead Sea Scrolls include fragments from every book of the Old Testament of the Bible except for the Book of Esther. The only entire book of the Hebrew Bible preserved among the manuscripts from Qumran is Isaiah; this copy, dated to the first century BCE, is considered the earliest biblical manuscript still in existence. Along with biblical texts, the scrolls include documents about sectarian regulations and religious writings that do not appear in the Old Testament.
The writing on the Dead Sea Scrolls is mostly in black or occasionally red ink, and the scrolls themselves are nearly all made of either parchment (animal skin) or an early form of paper called ‘papyrus’. The only exception is the scroll numbered 3Q15, which was created out of a combination of copper and tin. Known as the Copper Scroll, this curious document features letters chiselled onto metal – perhaps, as some have theorized, to better withstand the passage of time. One of the most intriguing manuscripts from Qumran, this is a sort of ancient treasure map that lists dozens of gold and silver caches. Using an unconventional vocabulary and odd spelling, it describes 64 underground hiding places that supposedly contain riches buried for safekeeping. None of these hoards have been recovered, possibly because the Romans pillaged Judea during the first century CE. According to various hypotheses, the treasure belonged to local people, or was rescued from the Second Temple before its destruction or never existed to begin with.
Some of the Dead Sea Scrolls have been on interesting journeys. In 1948, a Syrian Orthodox archbishop known as Mar Samuel acquired four of the original seven scrolls from a Jerusalem shoemaker and part-time antiquity dealer, paying less than $100 for them. He then travelled to the United States and unsuccessfully offered them to a number of universities, including Yale. Finally, in 1954, he placed an advertisement in the business newspaper The Wall Street Journal – under the category ‘Miscellaneous Items for Sale’ – that read: ‘Biblical Manuscripts dating back to at least 200 B.C. are for sale. This would be an ideal gift to an educational or religious institution by an individual or group.’ Fortunately, Israeli archaeologist and statesman Yigael Yadin negotiated their purchase and brought the scrolls back to Jerusalem, where they remain to this day.
In 2017, researchers from the University of Haifa restored and deciphered one of the last untranslated scrolls. The university’s Eshbal Ratson and Jonathan Ben-Dov spent one year reassembling the 60 fragments that make up the scroll. Deciphered from a band of coded text on parchment, the find provides insight into the community of people who wrote it and the 364-day calendar they would have used. The scroll names celebrations that indicate shifts in seasons and details two yearly religious events known from another Dead Sea Scroll. Only one more known scroll remains untranslated.
Questions 1–5
Complete the notes below.
Choose ONE WORD ONLY from the passage for each answer.
Write your answers in boxes 1–5 on your answer sheet
Discovery
Qumran, 1946/7
The scrolls
Questions 6–13
Do the following statements agree with the information given in Reading Passage 1?
In boxes 6–13 on your answer sheet, write
TRUE if the statement agrees with the information
FALSE if the statement contradicts the information
NOT GIVEN if there is no information on this
You should spend about 20 minutes on Questions 14–26, which are based on Reading Passage 2 below.
________________
* mutations: changes in an organism’s genetic structure that can be passed down to later generations
Questions 14–18
Reading Passage 2 has five sections, A–E.
Which section contains the following information?
Write the correct letter, A–E, in boxes 14–18 on your answer sheet.
NB You may use any letter more than once.
Questions 19–23
Look at the following statements (Questions 19–23) and the list of researchers below.
Match each statement with the correct researcher, A–D.
Write the correct letter, A–D, in boxes 19–23 on your answer sheet.
NB You may use any letter more than once.
List of Researchers
Questions 24–26
Complete the sentences below.
Choose ONE WORD ONLY from the passage for each answer.
Write your answers in boxes 24–26 on your answer sheet.
You should spend about 20 minutes on Questions 27–40, which are based on Reading Passage 3 below.
Two scientists consider the origins of discoveries and other innovative behavior
Scientific discovery is popularly believed to result from the sheer genius of such intellectual stars as naturalist Charles Darwin and theoretical physicist Albert Einstein. Our view of such unique contributions to science often disregards the person’s prior experience and the efforts of their lesser-known predecessors. Conventional wisdom also places great weight on insight in promoting breakthrough scientific achievements, as if ideas spontaneously pop into someone’s head – fully formed and functional.
There may be some limited truth to this view. However, we believe that it largely misrepresents the real nature of scientific discovery, as well as that of creativity and innovation in many other realms of human endeavor.
Setting aside such greats as Darwin and Einstein – whose monumental contributions are duly celebrated – we suggest that innovation is more a process of trial and error, where two steps forward may sometimes come with one step back, as well as one or more steps to the right or left. This evolutionary view of human innovation undermines the notion of creative genius and recognizes the cumulative nature of scientific progress.
Consider one unheralded scientist: John Nicholson, a mathematical physicist working in the 1910s who postulated the existence of ‘proto-elements’ in outer space. By combining different numbers of weights of these proto-elements’ atoms, Nicholson could recover the weights of all the elements in the then-known periodic table. These successes are all the more noteworthy given the fact that Nicholson was wrong about the presence of proto-elements: they do not actually exist. Yet, amid his often fanciful theories and wild speculations, Nicholson also proposed a novel theory about the structure of atoms. Niels Bohr, the Nobel prize-winning father of modern atomic theory, jumped off from this interesting idea to conceive his now-famous model of the atom.
What are we to make of this story? One might simply conclude that science is a collective and cumulative enterprise. That may be true, but there may be a deeper insight to be gleaned. We propose that science is constantly evolving, much as species of animals do. In biological systems, organisms may display new characteristics that result from random genetic mutations. In the same way, random, arbitrary or accidental mutations of ideas may help pave the way for advances in science. If mutations prove beneficial, then the animal or the scientific theory will continue to thrive and perhaps reproduce.
Support for this evolutionary view of behavioral innovation comes from many domains. Consider one example of an influential innovation in US horseracing. The so-called ‘acey-deucy’ stirrup placement, in which the rider’s foot in his left stirrup is placed as much as 25 centimeters lower than the right, is believed to confer important speed advantages when turning on oval tracks. It was developed by a relatively unknown jockey named Jackie Westrope. Had Westrope conducted methodical investigations or examined extensive film records in a shrewd plan to outrun his rivals? Had he foreseen the speed advantage that would be conferred by riding acey-deucy? No. He suffered a leg injury, which left him unable to fully bend his left knee. His modification just happened to coincide with enhanced left-hand turning performance. This led to the rapid and widespread adoption of riding acey-deucy by many riders, a racing style which continues in today’s thoroughbred racing.
Plenty of other stories show that fresh advances can arise from error, misadventure, and also pure serendipity – a happy accident. For example, in the early 1970s, two employees of the company 3M each had a problem: Spencer Silver had a product – a glue which was only slightly sticky – and no use for it, while his colleague Art Fry was trying to figure out how to affix temporary bookmarks in his hymn book without damaging its pages. The solution to both these problems was the invention of the brilliantly simple yet phenomenally successful Post-It note. Such examples give lie to the claim that ingenious, designing minds are responsible for human creativity and invention. Far more banal and mechanical forces may be at work; forces that are fundamentally connected to the laws of science.
The notions of insight, creativity and genius are often invoked, but they remain vague and of doubtful scientific utility, especially when one considers the diverse and enduring contributions of individuals such as Plato, Leonardo da Vinci, Shakespeare, Beethoven, Galileo, Newton, Kepler, Curie, Pasteur and Edison. These notions merely label rather than explain the evolution of human innovations. We need another approach, and there is a promising candidate.
The Law of Effect was advanced by psychologist Edward Thorndike in 1898, some 40 years after Charles Darwin published his groundbreaking work on biological evolution, On the Origin of Species. This simple law holds that organisms tend to repeat successful behaviors and to refrain from performing unsuccessful ones. Just like Darwin’s Law of Natural Selection, the Law of Effect involves an entirely mechanical process of variation and selection, without any end objective in sight.
Of course, the origin of human innovation demands much further study. In particular, the provenance of the raw material on which the Law of Effect operates is not as clearly known as that of the genetic mutations on which the Law of Natural Selection operates. The generation of novel ideas and behaviors may not be entirely random, but constrained by prior successes and failures – of the current individual (such as Bohr) or of predecessors (such as Nicholson).
The time seems right for abandoning the naive notions of intelligent design and genius, and for scientifically exploring the true origins of creative behavior.
Questions 27–31
Choose the correct letter, A, B, C or D.
Write the correct letter in boxes 27–31 on your answer sheet.
Questions 32–36
Do the following statements agree with the claims of the writer in Reading Passage 3?
In boxes 32–36 on your answer sheet, write
YES if the statement agrees with the claims of the writer
NO if the statement contradicts the claims of the writer
NOT GIVEN if it is impossible to say what the writer thinks about this
Questions 37–40
Complete the summary using the list of words, A–G, below.
Write the correct letter, A–G, in boxes 37–40 on your answer sheet.
The traditional view of scientific discovery is that breakthroughs happen when a single great mind has sudden 37 _____. Although this can occur, it is not often the case. Advances are more likely to be the result of a longer process. In some cases, this process involves 38 _____, such as Nicholson’s theory about proto-elements. In others, simple necessity may provoke innovation, as with Westrope’s decision to modify the position of his riding stirrups. There is also often an element of 39 _____, for example, the coincidence of ideas that led to the invention of the Post-It note. With both the Law of Natural Selection and the Law of Effect, there may be no clear 40 _____ involved, but merely a process of variation and selection.
You should spend about 20 minutes on this task.
The table and charts below give information on the police budget for 2017 and 2018 in one area of Britain. The table shows where the money came from and the charts show how it was distributed.
Summarise the information by selecting and reporting the main features, and make comparisons where relevant.
Write at least 150 words.
Police Budget 2017–2018 (in £m)
Sources | 2017 | 2018 |
National Government | 175.5m | 177.8m |
Local Taxes | 91.2m | 102.3m |
Other sources (eg grants) | 38m | 38.5m |
Total | 304.7m | 318.6m |
How the money was spent
_____
You should spend about 40 minutes on this task.
Write about the following topic:
Some children spend hours every day on their smartphones.
Why is this the case? Do you think this is a positive or a negative development?
Give reasons for your answer and include any relevant examples from your own knowledge or experience.
Write at least 250 words.
_____
The examiner asks you about yourself, your home, work or studies and other familiar topics.
EXAMPLE
Reading
Describe a big city you would like to visit.
You should say:
which big city you would like to visit
how you would travel there
what you would do there
and explain why you would like to visit this big city
You will have to talk about the topic for one to two minutes. You have one minute to think about what you are going to say. You can make some notes to help you if you wish.
Discussion topics:
Visiting cities on holiday
Example questions:
What are the most interesting things to do while visiting cities on holiday?
Why can it be expensive to visit cities on holiday?
Do you think it is better to visit cities alone or in a group with friends?
The growth of cities
Example questions:
Why have cities increased in size in recent years?
What are the challenges created by ever-growing cities?
In what ways do you think cities of the future will be different to cities today?
IELTS consists of four components. All candidates take the same Listening and Speaking tests. There is a choice of Reading and Writing tests according to whether a candidate is taking the Academic or General Training module.
IELTS consists of four components. All candidates take the same Listening and Speaking tests. There is a choice of Reading and Writing tests according to whether a candidate is taking the Academic or General Training module.
IELTS consists of four components. All candidates take the same Listening and Speaking tests. There is a choice of Reading and Writing tests according to whether a candidate is taking the Academic or General Training module.